![]() ![]() The Lasso, Polygonal Lasso, and Magnetic Lasso Elliptical selections work the same: hold down Shift to create a circle. To set the clicked spot as the center of the selection, press and hold down Ctrl after you start dragging. For a square selection, press and hold down Shift after you start dragging. Use rectangular selections for selecting objects that have a rectangular or square shape. Use Rectangular Selection and Elliptical Selection to click and drag out selections that form regular geometric shapes. Rectangular Selection and Elliptical Selection To invert the selection, click the corresponding button in the right panel or press the Ctrl+Shift+I shortcut key. Use Cover Selection to cover the selection itself in blue. Use Cover Unselected to cover everything but the selection in red. If you have the selection’s Blur set higher than zero, then the blurred part of the selection fades out to nothingness, and this fading is visible in every selection display mode other than None. Use the other modes to display the selection coverage in translucent red or blue, or just as a black-and-white mask. The default display mode is the None mode, which just shows a dashed line around the selection. Use display modes to get a better idea of whether or not your selection is precise enough. To choose selection display modes in the Editor, use the button above the Histogram. Selection Display ModeĬlick the triangle next to the “arrow-and-dashed-line” icon above the histogram to choose the selection display mode. This ability is especially useful when you want to work with a picture’s background, but selecting the background directly would be much harder than selecting the subject. Use Invert Selection (Ctrl+Shift+I) to make the selected parts of an image unselected and vice versa. ![]() However, often blurring will save you from minor imprecisions in a selection. Important note: if the Blur is too high, then the selection loses its precision and any sharp edges become rounded, and in the extreme case, it can become impossible to make a selection, especially if the selection size in pixels is small. A higher Blur means a smoother transition between the selected and unselected parts of the picture. It sets how sharp the selection edges will be. ![]() )Īnother setting that’s often used when you’re working with selections is Blur. (To turn on this mode temporarily no matter what mode you’re in, hold down Ctrl and Shift. You can think of Intersection as a cookie-cutter, or as the inverse of Remove from Selection. The last mode, Intersection, selects an area made up of the overlap-the intersection-between your existing selection and the new selection you’re making.(To turn on this mode temporarily no matter what mode you’re in, hold down Ctrl. Remove from Selection mode, on the other hand, eats into your existing selection. ![]() (To turn on this mode temporarily no matter what mode you’re in, hold down Shift. With Add to Selection mode, you can add an area to the one you’ve already selected.Normal mode is made for the initial simple selection of a part of a photo.To switch to a different selection mode, click its icon or use the Shift, Ctrl, etc. You’ll find these modes above the other settings for each selection tool. We’ll get back to these at the end of the article.Īmong the most important settings is the choice of selection modes. The exception is the Refine Selection controls, which affect the current selection. Note that these settings only affect future work with the selection tools-they don’t change the existing selection. When you activate one of these tools, several settings appear in the side panel. There are several tools you can use to select specific parts of a photo:Įach is a good fit for a different kind of edits. ![]()
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